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Melon Collie And The Infinite Sadness by Smashing Pumpkins guitar tab
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Melon Collie And The Infinite Sadness by Smashing Pumpkins guitar tab (text):Date: Tue, 17 Dec 1996 17:22:21 -0500 From: 659513@ican.net Subject: TAB: Mellon Collie Album by Smashing Pumpkins Mellon Collie and The Infinate Sadness album - Smashing Pumpkins NOTE: DO NOT PRINT THIS FROM THE INTERNET as it is approx. 65 pages long. It's best to save it on a floppy or on your hard drive and then to print the sections you want. This file was put together by CyberBry (659513@ican.net). BUT, all credit should be givin to the author of the chords/tab for each song. I did NOT write all of this tab! Most of it is from OLGA. MELLON COLLIE AND THE INFINATE SADNESS TRANSCRIBED BY ADAM MORRIS DO NOT overlook this TAB just because it a piano song, it is GREAT fun to play!! THIS IS THE COMPLETE TAB!! I have completed the TAB after MANY requests to do so, so...enjoy! This was NOT an easy task, I can assure you of that!! Some piano chords do not convert well to guitar! TUNING: 1/2 step down, dropped D (actually Db), with capo on 2nd fret. The 3rd fret now becomes the 1st fret etc. (this is just to be consistent with the half step down thing) Piano arranged for guitar E |----------0-0--3-1-0-1-0--------| B |-1--------1-1--------3---3-1----| G |-0------0-0-0--------2-----x--2-| D |-2----2---2-2--------0-----3----| A |-3--3-----3-3--------------3----| D |--------------------------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |-1--0------------------------0--| |-x-----3--1-----1--------1-3----| |-3--------x--2--0------0--------| |-3--------3-----2----2----------| |-1--------3-----3--3------------| |--------------------------------| |--------------------------------| |-6--5--3--1--1------------3-1---| |-0-----0--x--2--0-------0-----3-| |-0--------3-----1-----1---------| |-x--------3-----1---1-----------| |-5--------------1-1-------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1---------1--------------------| |-2------2----3-2-0------0--3-2--| |-3----3----------1----1--------3| |-3--3------------1--1-----------| |--------------------------------| CELLO ENTERS E |----------0-0--3-1-0-1-0--------| B |-1--------1-1--------3---3-1----| G |-0------0-0-0--------2-----x--2-| D |-2----2---2-2--------0-----3----| A |-3--3-----3-3--------------3----| D |--------------------------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |-1--0------------------------0--| |-x-----3--1-----1--------1-3----| |-3--------x--2--0------0--------| |-3--------3-----2----2----------| |-1--------3-----3--3------------| |--------------------------------| |----------------------------0---| |--------1---3-1---------1-3-----| |-3----x-2-----0-------0---------| |-3-2--x-3-----2-----2-----------| |-1------3-----3---3-------------| |--------------------------------| |----------------------------0---| |--------1---3-1---------1-3-1---| |-3----x-2-----0-------0---0-----| |-3-2--x-3-----2-----2-----------| |-1------3-----3---3-------------| |--------------------------------| |----------------------------0---| |--------1---3-1---------1-3-1---| |-3----x-2-----0-------0---0-----| |-3-2--x-3-----2-----2-----------| |-1------3-----3---3-------------| |--------------------------------| |-1-0----------------------------| |-3-3---1------------------3-1---| |-x-----2---2--0---------0-----3-| |-0-----3---3--1-------1---------| |-------3------1-----1-----------| |--------------1---1-------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1----1--3--6-------------3-1---| |-2----2--3--3--3------3-5-----3-| |-x-------0-----5----5-----------| |-3--3----------5--5-------------| |--------------------------------| |--------------------------------| |-1--------1---------------------| |-2------2---3-2-0-------0-3-2---| |-x----3---------1-----1-------3-| |-3--3-----------1---1-----------| |------------------1-------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |----------0-0--3-1-0-1-0--------| |-1--------1-1--------3---3-1----| |-0------0-0-0--------2-----x--2-| |-2----2---2-2--------0-----3----| |-3--3-----3-3--------------3----| |--------------------------------| |-1--0------------------------0--| |-x-----3--1-----1--------1-3----| |-3--------x--2--0------0--------| |-3--------3-----2----2----------| |-1--------3-----3--3------------| |--------------------------------| |--------------------------------| |-6--5--3--1--1------------3-1---| |-0-----0--x--2--0-------0-----3-| |-0--------3-----1-----1---------| |-x--------3-----1---1-----------| |-5--------------1-1-------------| |--------------------------------| |------------1-------------------| |-2--------2---3-2--0--------0---| |-0------0----------1------1-----| |-0----0------------1----1-------| |-0--0--------------1--1---------| |--------------------------------| |-3-1-----------------1----------| |-----3-2----------2------3---2--| |-------0--------0---------------| |-------0------0-----------------| |-------0----0-------------------| |---------------19-20------**-----| |-------11-12---------------------| |-4-------------------------------| |-4-------------------------------| |-2-------------------------------| |---------------------------------| *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~* This whole measure is IMPOSSIBLE to be arranged for guitar because of the difference in number of octaves to a piano. The C is meant to be a low C, but I HAD to arrange it as a high, I am very sorry! ** Impossible note on a guitar. **** Remember that the numbers shown are fret numbers IN RELATION TO THE CAPO! The dot on the 3rd fret becomes the 1st fret in the tab fret. As you can probably tell, this TAB was not an easy task for me to work out and transcribe, so..... PLEASE tell me what you think!!! Adam benmo@deakin.edu.au TONIGHT, TONIGHT performed by the Smashing Pumpkins from the album Mellon Collie and the Infinite Sadness tabbed by perth@nando.net Unfortunately, my orchestral string ensemble is in the shop right now, so i couldn't tab out that part :> Fortunately, this album, Billy was brave and included the lyrics. The bass is also tuned down and plays the theme Cb, Bb, Db in the key of Cb. Key of C flat Chords of magic: eb--3--0---1-----x---- Bb--3--0---1-----3---- Gb--0--0---0-----2---- Db--0--2---2-----0---- Ab--2--2---3-----x---- Eb--3--x---x-----x---- G Em Cadd9 D The fingerpicking part for the verses: repeat a few times eb------------------------------------------------------ | Bb-----0--------0--------0-----0--------0--------0------o| Gb--------0--------0--------------0--------0------------ | Db-----------0--------0--------------0--------0--------- | Ab--3-----------------------5---------------------------o| Eb------------------------------------------------------ | t r m i r m i r t r m i r m i r t: thumb, r: ring, m: middle, i: index The rythm part: G Em G Em Cadd9 G D Cadd9 G D Cadd9 G D G Ok..goodnight Dennis. JELLYBELLY Tabbed by Brian McCall [Db, Ab, Db, Gb, Bb, Eb] Intro G1 and G2 heavy distortion |------------------------------------------------------ |------------------------------------------------------ |------------------------------------------------------ |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\-- |------------------------------------------------------ |------------------------------------------------------ |------------------------------------------------------ |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------pfbr3---- |------------------------------------------------------ |------------------------------------------------------ |------------------------------------------------------ |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\-- |------------------------------------------------------ |------------------------------------------------------ |-----------------------------------5/7-X-5-5---------- |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---5/7-X-5-5-5-5------ |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---3/5-X-3-3-5-5------ |-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------5-5------ |-------------------------------------------------------- |-------------------------------------------------------- |-----5/7-X-5-5---------5/7-X-5-5---------5/7------------ |-0---5/7-X-5-5-5-5-0---5/7-X-5-5-5-5-0---5/7-5p4p0-5p4p0 |-0---3/5-X-3-3-5-5-0---3/5-X-3-3-5-5-0---3/5-5p4p0-5p4p0 |-0-------------5-5-0-------------5-5-0-------5p4p0-5p4p0... *1 |------------------------------------------------------ |------------------------------------------------------ |-2--2--5--5------5/7-X-5-5-----2--2--5--5------5/7-X-- |-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5--0---5/7-X-- |-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--3--0---3/5-X-- |-------------0-------------5-5-------------0---------- |------------------------------------------------------ |------------------------------------------------------ |-5-5-----2--2--5--5------5/7-X-5-5-----2--2--5-------- |-5-5-5-5-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5----- |-3-3-5-5-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--5----- |-----5-5-------------0-------------5-5----------5----- *2 (chorus) |------------------------------------------------------ |-3-------0--------------------------------------------- |-2---5---0-----7---9---11--14-14----------------------- |-0---5---5---X-X-X-X-X-X-X-X--X------------------------ |-0---3---5---X-5-X-7-X-9-X-12-12----------------------- |-0-------5---X---X---X---X----------------------------- *3 (2nd verse) |------------------------------------------------------ |------------------------------------------------------ |-2--2--5--5--X-7-X-5-X-7-X-5-X------2--2--5----------- |-2--2--5--5--X-7-X-5-X-7-X-5-X-5-5--2--2--5--5--X-4--- |-0--0--3--3--X-5-X-3-X-5-X-3-X-5-5--0--0--3--5--X-4--- |-------------X---X---X---X---X-5-5-----------5--X-4--- |------------------------------------------------------- |------------------------------------------------------- |----------------------2--2--5--5--X-7-X-5-X-7-X-5-X---- |-X-5-X-7-X-9-X-10-10--2--2--5--5--X-7-X-5-X-7-X-5-X-5-5 |-X-5-X-7-X-9-X-10-10--0--0--3--3--X-5-X-3-X-5-X-3-X-5-5 |-X-5-X-7-X-9-X-10-10--------------X---X---X---X---X-5-5 |------------------------------------------------------ |------------------------------------------------------ |-2--2--5---------------------------------------------- |-2--2--5--5------------------------------------------- |-0--0--3--5------------------------------------------- |----------5------------------------------------------- repeat *2 |----------------------- ------------------- |-X-7-X-5-X-7-X-5-X----- -----4-4----------- |-X-7-X-5-X-7-X-5-X-5-5- -4-4-4-4----------- |-X-5-X-3-X-5-X-3-X-5-5- -4-4-2-2----------- |-X---X---X---X---X-5-5- -4-4--------------- ^repeat until *4 |------------------------------------------------------ |------------------------------------------------------ |-------------4-4-------------------------------------- |-0-0-5-5-4-4-4-4-------------------------------------- |-0-0-5-5-4-4-2-2-------------------------------------- |-0-0-5-5-4-4----...----------------------------------- then cracendo (sp I'm sure) a-la-Rocket and back to *1 and intro with a few variations I didn't tab. ZERO Tabbed by Brian McCall All guitars tuned to Eb (Eb Ab Db Gb Bb Eb) *1 G1 (G2 enters later) Distortion |-------------------------------------------------------------- |-------------------------------------------------------------- |-5-\4-4---------5-5\4-4---------5-\4-4---------5-3\4-4-------- |-X--X-X---------X-X-X-X---------X--X-X---------X---X-X-------- |-3-\2-2---------3-3\2-2---------3-\2-2---------3-3\2-2-------- |--------0-0-0-0---------0-0-0-0--------0-0-0-0---------0-0-0-0 ^-----^ ^-----^ ^-----^ ^-----^ harmonics* harm. harm. harm. * These harmonics are produced by lightly applying your index finger to the low E and gradually sliding from around fret 1.75 to 4 or so. A good way of looking at this is letting your finger touch the E while setting back up for the C octave chord. *2 |--------------------------------------- |--------------------------------------- |-9-----11----9-----12----11\7--7------- |-X-----X-----X-----X-----X-----X------- |-7-----9-----7-----10----9-\5--5------- |---0-0---0-0---0-0---0-0--------------- ^repeat Put in Es (|022100| or |079900| *3 (after slide and under solo) G2 |-------------------------------------------------------------- |-------------------------------------------------------------- |---------------5-5\4-4-------------------------5-5\4-4-------- |---------------X-X---X-------------------------X-X---X-------- |-3-2---2-------3-3\2-2---------3-3-2---2-------3-3\2-2-------- |-----3---0-0-0---------0-0-0-0-------3---0-0-0---------0-0-0-0 |-------------------------------------------------------------- |-------------------------------------------------------------- |-------------------------------------------------------------- |-------------------------------------------------------------- |-3-3-2---2-------2-3-2-2-------------------------------------- |-------3---0-2-3---------0-0-0-0-...and so on----------------- |-------------------------------------------------------------- |-------------------------------------------------------------- |-9-----9-----9-----9-----11---12------------------------------ |-X-----X-----X-----X-----X----X------------------------------- |-7-----7-----7-----7-----9----10------------------------------ |---0-0---0-0---0-0---0-0----0----0---------------------------- ^repeat at the end of this riff G2 plays: |-------------------------------------------------------------- |-------------------------------------------------------------- |-9-9-9-111111121212------------------------------------------- |-X-X-X-X-X-X-X-X-X-------------------------------------------- |-7-7-7-9-9-9-101010------------------------------------------- |-------------------....on up---------------------------------- Those high sceams (like the end of the above) are the high E on the 24th fret (it's james on his V or flood in the production room). then repeat *1 and that's Zero! HERE IS NO WHY By: The Smashing Pumpkins Tab By: Carlos Bustos Email: cab144@mail.usask.ca TUNING: Down half a step Comment: This song contains similar riffs throughout, BUT, the riffs are changed everyonce in a while. I tab'ed it from start to finish to make it easier. [INTRO]: Amaj7, NOT A. ||-x-------------x-------------x------------------------------------------| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x-| ||-1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x-| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x-| ||-0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x-| ||-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x-| ||-----------x-------------x-------------x-------------------------------| ||-0---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-| ||-1---------1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-| ||-2---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-| ||-2---------0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-| ||-0--0--3p0-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-| ||-------------------| ||-------------------| ||-9/11-9-7-7-7-7-6--| ||-x--x-x-x-7-7-7-7--| ||-7/-9-7-5-5-5-5-7--| ||----------5-5-5-5--| [RIFF A]: ||---x-------------x-------------x-------------x--------------------------| ||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--0-----x-x--x-| ||---1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-| ||---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-| ||---0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--2-----x-x--x-| ||---x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--0-----x-x--x-| ||--------------| ||---0----------| ||---1----------| ||---2----------| ||---2----------| ||---0--0--3p0--| Repeat [RIFF A]: ||-------------------| ||-------------------| ||-9/11-9-7-7-7-7-6--| ||-x--x-x-x-7-7-7-7--| ||-7/-9-7-5-5-5-5-7--| ||----------5-5-5-5--| [NEXT RIFF, this one varies]: Distortion comes in REALLY big here. ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--------------------------------------------------| ||----------------------------------------------------| ||----------------------------------------------------| ||---------------6--6--6------------9/11-9-7-7-7-7-6--| ||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--| ||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--| ||--2-----2-2-2--5--5--5--0------------------5-5-5-5--| ||---------x-------------x---------------------------------------------| ||-x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x--0-| ||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x--1-| ||-x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x--2-| ||-x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x--2-| ||-x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x--0-| ||--------| ||--------| ||--------| ||--------| ||--------| ||-0--3p0-| [The Amaj7 goes on a little longer here] ||-x-------------x-------------x-------------x-------------x------------| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-| ||-1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-| ||-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-| ||-0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x-| ||-x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x-| ||-x-------------------------------------x-------------x-------------x----| ||-2-----x-x--x--0-----x-x--x--0---------2-----x-x--x--2-----x-x--x--2----| ||-1-----x-x--x--1-----x-x--x--1---------1-----x-x--x--1-----x-x--x--1----| ||-2-----x-x--x--2-----x-x--x--2---------2-----x-x--x--2-----x-x--x--2----| ||-0-----x-x--x--2-----x-x--x--2---------0-----x-x--x--0-----x-x--x--0----| ||-x-----x-x--x--0-----x-x--x--0--0--3p0-x-----x-x--x--x-----x-x--x--x----| ||---------x------------------------------------| ||-x-x--x--2----x-x--x--0-----------------------| ||-x-x--x--1----x-x--x--1-----9/11-9-7-7-7-7-6--| ||-x-x--x--2----x-x--x--2-----x--x-x-x-7-7-7-7--| ||-x-x--x--0----x-x--x--2-----7/-9-7-5-5-5-5-7--| ||-x-x--x--x----x-x--x--0--------------5-5-5-5--| |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| ||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------| |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------| ||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------| ||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--------------------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9/11-9-7-7-7-7-6----------------------| ||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7----------------------| ||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7----------------------| ||--2-----2-2-2--5--5--5--0------------------5-5-5-5----------------------| [interlude leading up to solo]: [SOLO]: Solo, credit goes to jhewitt@ifu.net for this part of the solo thanx a bunch. ||-------------------------------------------------------------------- ||--15b--------------------------------------------------------------- ||-------------------------15b--12h13-12-12h13p12------------------15b ||-----16b-13-15-17h18-13~------------------------13h15p13--15p13----- ||-------------------------------------------------------------------- ||-------------------------------------------------------------------- ||-------------------------------------------------------------------- ||--19b--------------------------------------------------------------- ||------15/17\13--------------------13h15p13-12h13p12-13h15-13b12----- ||---------------15/17\13-13/15/18------------------------------------ ||-------------------------------------------------------------------- ||-------------------------------------------------------------------- |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| ||--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------| |-Palm Mute-| ||--4-x-x-4-x-x-----------------------------------------------------------| ||--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------| ||--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------| ||--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------| ||--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------| ||--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--------------------------------------------------| ||------------------------------------------------------------------------| ||------------------------------------------------------------------------| ||---------------6--6--6------------9-9-9-9-911-9-7-----------------------| ||--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------| ||--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------| ||--2-----2-2-2--5--5--5--0-----------------------------------------------| ||----------------------------------------------------| ||----------------------------------------------------| ||---------------6--6--6------------9/11-9-7-7-7-7-6--| ||--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--| ||--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--| ||--2-----2-2-2--5--5--5--0------------------5-5-5-5--| ||---------x-------------x------------------------------------------------| ||-x-x--x--2-----x-x--x--2-----x-x--x------------------5~-----------------| ||-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4--------------------| ||-x-x--x--2-----x-x--x--2-----x-x--x--(slow)-----------------------------| ||-x-x--x--0-----x-x--x--0-----x-x--x-------------------------------------| ||-x-x--x--x-----x-x--x--x-----x-x--x-------------------------------------| BULLET WITH BUTTERFLY WINGS [I (CyberBry) could not find the name of the author of this tab. If it is yours PLEASE e-mail me and tell me and proper recognition will be givin] All guitars tuned Eb, Ab, Db, Gb, Bb, Eb "The world is a vampire..." *1 G1 and G2 mid/light distortion |--------------------------------------------------------- |--------------------------------------------------------- |-4-4-4-4-(4)----------2-2-2-2---------------------------- |-4-4-4-4--5--2--2-2-2-2-2-2-2---------------------------- |-2-2-0-2--5--2--2-2-2-0-0-0-0---------------------------- |----------3--0--0-0-0------------------------------------ ^repeat *2 < < |--------------------------------------------------------- |--------------------------------------------------------- |-4-4-4-------------------2---2--------------------------- |-4-4-4-2-2-2-2-2-5-5-5-5-2-2-2-2------------------------- |-2-2-2-2-2-2-2-2-5-5-5-5-0-0-0-0------------------------- |-------0-0-0-0-0-3-3-3-3--------------------------------- ^repeat ^ that little " Chorus ends with: |--------------------------------------------------------- |--------------------------------------------------------- |-------------2------------------------------------------- |-2---5---4---2------------------------------------------- |-2---5---4---0------------------------------------------- |-0---3---2----------------------------------------------- ^repeated several times after second chorus back to *1... End riff (similar to *3) |--------------------------------------------------------- |---------3----------------------------------------------- |-4-------2-X-2------------------------------------------- |-4-X-5---0-X-2------------------------------------------- |-2-X-5---0-X-0------------------------------------------- |-----3--------------------------------------------------- add rhythm there as appropriate... you know how I hate to tab out all those rhythm strumms (ie. the end riff)...sorry. TO FORGIVE KEY: p= pull off Tuning: Down 1/2 step ^= bend up intro/verse G5 F#5 Em ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- -----5---5------2----------4---4-------4p2---------------- ---5---5------4---4-0----2---2---2----------2------------- -3----------2----------0------------0---------0----------- verse part 2 ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- ------3^--0----------------------------------------------- --0------------------------------------------------------- (chorus) chorus chords EADGBE G- 320003 Asus2-x02200 Any questions or comments email me at Riffhead@aol.com (FUCK YOU) AN ODE TO NO ONE Tabbed by Brian McCall Eb tuning *1 Heavy distortion, palm muting throughout |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2...5-5-5-5-5-5-5-5-5-5-5 |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-5-5-5-5-5-5-5-5...2-2-2-2-2-2-2-2-2-2-2-2....5-5-5-5... gradually let off of palm muting |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2------------------------ *2 |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-4-----4-----4-------4-7-4-----4-----4-------4-7-4-----4 |-4-----4-----4-------4(7)4-----4-----4-------4(7)4-----4 |-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2 ^repeat |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-----2--2----------------------------------------------- |-----2--2----------------------------------------------- |-0-0-0--0----------------------------------------------- back to *1 repeat *2 but add this to the end |-------------------------------------------------------- |-------------------------------------------------------- |-------9------------------------------------------------ |-9-9-X-9----2------------------------------------------- |-9-9-X-7----2------------------------------------------- |-7-7-X------0------------------------------------------- *3 p.m.------------------| |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-2-2-2-2-2-2-2-2-2-2-2-2-0h2p0-5~----------------------- ^repeat twice more p.m.------------------| |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------2--2--------------------------- |-------------------------2--2--------------------------- |-2-2-2-2-2-2-2-2-2-2-2-2-0--0--------------------------- *4 (strum to the rhythm) |-------------------------------------------------------- |-------------------------------------------------------- |------------------------------------------------------- |-4-----4-4-4---4-4-6-6-----7-----9-----11---------------- |-X-----X-X-X---X-X-X-X-----X-----X-----X--2-------------- |-2-...-2-2-2-0-2-2-4-4-...-5-...-7-...-9--0-------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------ |-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------ |-2-2-----0-0-0-2-2-----0-0-0-2-2-----0-0-0-2-2---0------ p.m.-----------...| |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-------------------------------------------------------- |-2-2-2-2-2-2-2-2...------------------------------------- slow down....stop. less distortion |-------------------------------------------------------- |-------------------------------------------------------- |-2------------2---------2------------------------------- |-2--2--4------2--2--4---2--2--4---2--------------------- |-0--2--4------0--2--4---0--2--4---2--------------------- |----0--2--/9\----0--2------0--2---0--------------------- repeat *4 LOVE From: therapy@midcoast.com.au (julian nicholls) Tune down half step to flats (Over the solo play the chords G# B C# E as in the chorus) Solo was tabbed by David Worsely (i stole it) Solo: |-5-5-5-5-10\-10\-10\-10\-10\-8---8-10\-14\-16\-17\-| \ is a bend |-------------------------------9-------------------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |-17-15-------15----19-15----20\-17-| |-------17-15----17-------17--------| |-----------------------------------| |-----------------------------------| |-----------------------------------| |-----------------------------------| |-17-15------------------------------| |-------17-15-12-15-15-17-15-20-full-| |-------------------------------bend-| |------------------------------------| |------------------------------------| |------------------------------------| Thanks, hope you like it! CUPID DE LOCKE Transcribed by Dietrich Featherston b-bend r-release e-|-----0----------------| B-|--5-----5--4b5r4------| G-|----------------------| D-|----------------------| A-|----------------------| E-|----------------------| This is probably the easiest song I have ever tabbed I just put it here for the sake of putting something on the internet. Marcus Featherston marcus@interoz.com mlf@falcon.nssf.af.mil mfeathe@garnet.acns.fsu.edu ****************************************************************** **** http://www.interoz.com/usr/marcus/access.exe?marcus **** **** OR **** **** http://www.interoz.com/usr/marcus/marcus.htm **** **** **** **** Guitars, Amps, Astronomy, Pianos, Compilers, **** **** SW Reengineering, Compilers **** ****************************************************************** GALAPOGOS tabbed by Peter Henderson(Saldek) ; Oshawa, Ontario, CANADA TUNING: half step down-Eb Ab Db Bb Gb Eb (verse starts on repeat) RHYTHM FIGURE 1; . Eb------------------------------9-----------9------------------- Bb-------10-----------10----------10----------10-----------10--- Gb----11----11~----11----11~---------11~---------11~----11---11~ Db-12-----------12-----------12----------12----------12--------- Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- Eb-----------------9----------9--------------------------15----- Bb-------10----------10---------10~-12-------12-------------12-- Gb----11----11~---------11~------------12-------12----12-------- Db-12-----------12----------12------------12-------12----------- Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- Eb-------------------------------------------------------------- Bb--------12--------------10----------10----------10-----------10 Gb----12~-------12-----11----11~---11----11~---11----11~----11--- Db-12--------12-----12-----------12----------12----------12------ Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- Eb--------9-----------9-----------9-----------9----------------- Bb----------10----------10----------10----------10~-12-------12- Gb-11~---------11~---------11~---------11~-------------12------- Db-----12----------12----------12----------12-------------12---- Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- Eb----------15-----------------|---0--0--0--0--0--0--0--0------- Bb-------------------12-------:|---10-10-10-10-10-10-10-10------ Gb-12----12-------12-------12--|---11-11-11-11-11-11-11-11------ Db----12-------12-------12-----|12-12-12-12-12-12-12-12-12------ Ab----------------------------:|-------------------------------- Eb-----------------------------|-------------------------------- Interlude; Eb-------------------------------|------------------ Bb-12\10--7\5--8\7--5\3--7/8~~--:|-----repeat------- Gb-11\-9--6\4--7\6--4\2--6/7~~---|--------3--------- Db-0---0--0-0--0-0--0-0--0-------|------times------- Ab------------------------------:|------------------ Eb-------------------------------|------------------ Eb----------------------2-------0---------------------------- Bb-----0---0---0----------0------------or something---------- Gb---2---2---2---2----2-----2-----2---like that..just play--- Db-0----------------0---------0--------around with----------- Ab---------------------------------------Dm(no 3rd)---------- Eb----------------------------------------------------------- Bridge; Rhythm Figure one ....end with D* CHORDS; Dm (no 3rd) - X X 0 2 3 0 D/F# - 2 X 0 2 3 X Em7 - 0 2 2 0 3 0 G - 3 2 0 0 3 3 D* (?) - X X 12 11 10 9 D** (?) - X X X 11 10 12 E* (?) - X X X 7 8 9 Well there ya go...if you have any questions, corrections or comments please send them to me....I hope this TAB makes sense for you...And if you know the names for those chords with question marks..please tell me... -- | Fidonet: Peter Henderson 1:229/125 | Internet: Peter.Henderson@pconline.gryn.org PORCELINA OF THE VAST OCEANS Tabbed by Brian McCall [Db Ab Db Gb Bb Eb] (Eb tuning down to drop D) *1 G1 Clean |-------------------------------------------------------- |---------0---------------0-----------------0------------ |-----6-----6---6-----6-----6---6------12-----12----12--- |---7---------7-----7---------7-----10-----------10------ |-0-----0---------0-----0---------0-------0-------------- |-------------------------------------------------------- |-------------------------------------------------------- |-----------0-------------------------------------------- |------12-----12----12----------------------------------- |---10-----------10-------------------------------------- |-0-------0---------------------------------------------- |-------------------------------------------------------- ^repeat... G2 Clean with slight phasing. Lead fill over *1 |------------------------------------0------------------- |---------------------------------0---------------------- |-------------------------------------------------------- |-11-(/)-14-(\)-9--11--7--9hbr-7------------------------- |-------------------------------------------------------- |-------------------------------------------------------- *2 (Pre-Chorus) Both guitars Heavy distortion |-------------------------------------------------------- |-------------------------------------------------------- |-11--14---9---11---7/9-9\7------------------------------ |-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 |-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 |---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10... |------------------------------------------------------------------ |------------------------------------------------------------------ |-11-11--14-14---9-9---11-11---7/9-9\7------------------------------ |-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 |-9--9---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 |------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10.. |-------------------------------------------------------- |-----------------------------------------0-0------------ |-----------------------------------------0-0------------ |-7-7-7-----------------------------------5-5------------ |-7-7-7...--------------------------------5-5------------ |-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...--------- Verse is hard to hear, can't figure it out, but it goes: D A C G A C G A C *3 (longer pre-chorus) |-------------------------------------------------------- |-------------------------------------------------------- |-11--14---9---11---7/9-9\7------------------------------ |-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 |-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 |---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10... |------------------------------------------------------------------ |------------------------------------------------------------------ |-11-11--14-14---9-9---11-11---7/9-9\7------------------------------ |-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 |-7--7---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 |------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10.. |-------------------------------------------------------- |-------------------------------------------------------- |-11--14---9---11---7/9-9\7------------------------------ |-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 |-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 |---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10... |-------------------------------------------------------- |-----------------------------------------0-0------------ |-----------------------------------------0-0------------ |-7-7-7-----------------------------------5-5------------ |-7-7-7...--------------------------------5-5------------ |-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...--------- *4 Feedback Verse G2 |-------------------------------------------------------- |-------------------------------------------------------- |-/14--------\9------/17------\7------/14-----\9--------- |-------------------------------------------------------- |-/12--------\7------/15------\5------/12-----\7...------ |-------------------------------------------------------- Allow octaves to feedback at different pitches repeat the riffs, and that's Porcelina! TAKE ME DOWN Written and performed by James Iha Transcribed by Adam Morris omments: Tune down 1 whole step Billy and James may use different chord voicings, but I think the chords are basically the same. Also, this song is really quick, so its hard to get a good feel for whats being played, but this is what I've been played since I got the disc a few months back. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Well...that, I believe, is pretty damn close! Anyone agree/disagree? E-mail me with any comments, improvements, and tab requests! Adam Morris (benmo@deakin.edu.au) WHERE BOYS FEAR TO TREAD Transcribed By - BUGG_SUPERSTAR@S-GRIFFIN.COM * Tuned Down - Eb,Ab,Db,Gb,Bb,Eb * This is a pretty easy tune of the new album, throughout the whole song there are only two riffs. I will show the two, and you can figure out the rest for yourself. I have seen other attempts at this song, but I think this is the most accurate. Main Riff of the Whole Song Eb-|--------------------------------------------------------------------| Bb-|--------------------------------------------------------------------| Gb-|--------------------------------------------------------------------| Db-|--------------------------------------------------------------------| Ab-|-3/5---------------3------------------------------------------------| Eb-|------4--4--0-0-0----1--3-3-3-3-3-3-3-3-----------------------------| Second Riff, used in Chorus and at the end Eb-|--------------------------------------------------------------------| Bb-|--------------------------------------------------------------------| Gb-|--------------------------------------------------------------------| Db-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------| Ab-|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------| Eb-|-1-1-0-1---1-0-1--1-1-1-1-1-3-2-------------------------------------| Thats pretty much it, near the end it does the previous part, but without going up to the G5 and F#5 (I Think thats it). This is my first transcription, so please write me with and comments and suggestions at BUGG_SUPERSTAR@S-GRIFFIN.COM. Enjoy :) BODIES From: Trevor Mintz @ SaskPower First off, use what Billy calls 'grunge tuning' (dropped D). Then take that Dropped D and tune it down a half step to a C#. In the last guitar world interview Billy said the whole album was tuned down a half step to get a deeper sound. After that, the song is quite easy. Major distortion --------------------------------------------------------------------- --------------------------------------------------------------------- --------------------------------------------------------------------- --3333333333/777777777777\22222222222/333333333-- --3333333333/777777777777\22222222222/333333333-- --3333333333/777777777777\22222222222/333333333-- change #1 --------------------------------------------------------------------- --------------------------------------------------------------------- --------------------------------------------------------------------- --2222222222/777777777777\55555555555\222222222-- --2222222222/777777777777\55555555555\222222222-- --2222222222/777777777777\55555555555\222222222-- change #2 --------------------------------------------------------------------- --------------------------------------------------------------------- --------------------------------------------------------------------- --5555555555/777777777777\222222222/55555555555-- --5555555555/777777777777\222222222/55555555555-- --5555555555/777777777777\222222222/55555555555-- I can't remember exactly where in the lyrics the changes are but once you listen to the song you'll know where they are & where changes #1 and #2 go. Be patient with my instructions, this is my first posting. Recommendation: use a light pick to get that continuous guitar attack. Cheers to everyone else who has posted tabs. Much appreciated. I'm waiting for help with the rest of the songs off this double album masterpiece. Especially 'To forgive' & 'Jellybelly'. THIRTY-THREE Tabbed by Peter Henderson(Saldek); Oshawa, Ontario, CANADA Special thanks to Rich Santos TUNING Half Step Down-Eb Ab Db Gb Bb Eb Ok well..here's the tab....i think this is how they play it.... There is another guitar part for this..it has some effect on it.. But as you will see..i didn't tab it....Sorry CHORDS: Eb Ab Db Gb Bb Eb C - x 3 2 0 1 0 Dm(no 3rd) -x 0 0 2 3 0 From thereon in there is no new stuff..so that is it. The song ends on the weird E from the CHORUS I would like to hear some opinions about this please. Bye Adam benmo@deakin.edu.au TALE OF A SCORCHED EARTH Transciption by Michael Gartley ------------------------------- Comments: Tune down 1 whole step Billy and James may use different chord voicings, but I think the chords are basically the same. Also, this song is really quick, so its hard to get a good feel for whats being played, but this is what I've been played since I got the disc a few months back. intro (and bridge): e--------------------------------------- b--------------------------------------- g--------------------------------------- d--------------------------------------- a----4-----4-----4-----4---4---4-------- e--0h2-0-0h2-0-0h2-0-0h2-0h2-0h2-------- pre-verse: e-------------------|----------------|------- b-------------------|----------------|-----2- g-------------------|----------------|-7---2- d---9--9-9-12/13-14-|--9--9-9-5/6-7--|-7---2- a---7--7-7-10/11-12-|--7--7-7-3/4-5--|-5-5-0- e---0--0-0----------|--0--0-0--------|---3-0- chorus: (I lie just to be real, and I die just to feel etc.) e--------------------------------------------- b--------------------------------------------- g---------9---------11---------13----------14- d--------------------------------------------- a---------7---------9----------11----------12- e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0---- e--------------------------------------------- b--------------------------------------------- g---------4---------6----------7-----------9-- d--------------------------------------------- a---------2---------4----------5-----------7-- e-0-0-0-0---0-0-0-0----0-0-0-0-----0-0-0-0---- THRU THE EYES OF RUBY Tabbed by Brian McCall Eb tuning Piano intro *1 there are _several_ layered guitars for this G1 slight distortion |---------4----------------5----------------6------- |-----0-----0---0------0-----0---0------0-----0---0- |---4--(4)----4------7--(7)----7------6--(4)----6--- |-2----------------5----------------4--------------- |--------------------------------------------------- |--------------------------------------------------- |---------9---------------------------------------- |-----0-----0---0---------------------------------- |---9--(7)----9------------------------------------ |-7------------------------------------------------ |-------------------------------------------------- |-------------------------------------------------- G2 |---------4---------------------------------6------- |-----0-----0---0------0-------0--------0-----0---0- |---4--(4)----4------7-------7---7----6--(6)----6--- |-2----------------5-----5----------4--------------- |--------------------------5------------------------ |--------------------------------------------------- |---------9----------------------------------------- |-----0-----0---0----------------------------------- |---9--(9)----9------------------------------------- |-7------------------------------------------------- |--------------------------------------------------- |--------------------------------------------------- G3 (first time only) Tremolo (fast phasing) |-------------------------------------------------- |-------------------------------------------------- |-3hbr---2hbr-------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- *2 G1 Distortion |-------------------------------------------------- |-------12-/-19--\-10--14--16-17-----\--12-/-19--\- |-13~---X----X-----X---X---X--X---------X----X----- |-X-----9--/-16--\-8---11--13-14-----\--9--/-16--\- |-11~---------------------------------------------- |-0------------------------------------------------ |-------------------------------------------------- |-10--14------------------------------------------- |-X---X-------------------------------------------- |-8---11------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- G2 Distortion |-0------------------------------------------------- |-0------------------------------------------------- |-1------------------------------------------------- |-2-----5--/-12--\-4---7---9--2---------5--/-12---\- |-2-----5--/-12--\-4---7---9--2---------5--/-12---\- |-0-----3--/-10--\-2---5---7--0---------3--/-10---\- |-------------------------------------------------- |-------------------------------------------------- |-------------------------------------------------- |-4---7---------------------------------------------- |-4---7---------------------------------------------- |-2---5---------------------------------------------- *3 G1 Phasing |---------4----------------5----------------6------- |-----0-----0---0------0-----0---0------0-----0---0- |---4--(4)----4------7--(7)----7------6--(4)----6--- |-2----------------5----------------4--------------- |--------------------------------------------------- |--------------------------------------------------- |---------9---------------------------------------- |-----0-----0---0---------------------------------- |---9--(7)----9------------------------------------ |-7------------------------------------------------ |-------------------------------------------------- |-------------------------------------------------- G2 Clean |---------4---------------------------------6------- |-----0-----0---0------0-------0--------0-----0---0- |---4--(4)----4------7-------7---7----6--(6)----6--- |-2----------------5-----5----------4--------------- |--------------------------5------------------------ |--------------------------------------------------- |---------9----------------------------------------- |-----0-----0---0----------------------------------- |---9--(9)----9------------------------------------- |-7------------------------------------------------- |--------------------------------------------------- |--------------------------------------------------- I strongly believe that the phaser used is the Mu-tron Bi-phase. They've used it before and mine can mimic this sound exactly. For those who have one, here's my settings: Phasor A only, Sweep: just below 2, Depth: 7, Feedback: 7.5 *4 ("Breathing Underwater....") G1 (still phased) |---------7---------------7-----------------11-------- |-----0-----0---0-----0-----0---0------0-------0----0- |---7---7-----7-----7---7-----7-----11---11------11--- |-5---------------5---------------9------------------- |----------------------------------------------------- |----------------------------------------------------- |-----------11-10-9-8-7-------7---------------7------- |------0------------------0-----0---0-----0-----0---0- |---11---11-------------7---7-----7-----7---7-----7--- |-9-------------------5---------------5--------------- |----------------------------------------------------- |----------------------------------------------------- (overdub maybe?) G2 (tremolo phasing) |-7-------------------------------11------------------ |-0-------------------------------0------------------- |-7-------------------------------11------------------ |-5-------------------------------9------------------- |----------------------------------------------------- |----------------------------------------------------- ^strummed ^strum slow slowly (think "Soma") |-7--------------------------------------------------- |-0--------------------------------------------------- |-7--------------------------------------------------- |-5--------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- G1 |-----------11-------------------10------------------- |------0-------0----0-------0-------0----0------------ |---11---11------11------11---11------11-------------- |-9-------------------12------------------------------ |----------------------------------------------------- |----------------------------------------------------- |---------9---------------7--------------------------- |-----0-----0---0-----0-----0---0--------------------- |---9---9-----9-----7---7-----7----------------------- |-7---------------5----------------------------------- |----------------------------------------------------- |----------------------------------------------------- G2 Tremolo phasing (gets one whole chord in on this part!) |-11-------------------------------------------------- |-0--------------------------------------------------- |-11-------------------------------------------------- |-9--------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- G3 (Lead fill. Can't tell if it's clean or chorus or slight distortion or what...) |-------------------------------------------|--------- |-----------7------8---(12)/14--12----------|--------- |-(12)\-6h8---9h11-----------------14-11--12|-11------ |-------------------------------------------|--------- |-------------------------------------------|--------- |-------------------------------------------|--------- *6 G1 Distortion (brighter than G2) |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |-----------------------------2-----5--/-12--\-4---7-9 |-----------------------------2-----5--/-12--\-4---7-9 |-----------------------------0-----3--/-10--\-2---5-7 G2 Distortion |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9 |-2-----5--/-12--\-4---7---9--2-----5--/-12--\-4---7-9 |-0-----3--/-10--\-2---5---7--0-----3--/-10--\-2---5-7 G3 Distortion (Lead Fill) |------------------------------------7--6--9--12--14b- |--------------------------------7--5----------------- |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- *7 G1 |----------------------------------------------------- |----------------------------------------------------- |----------------------------------------------------- |-9---7-/-12-\-5-5-5---------------------------------- |-9---7-/-12-\-5-5-5---------------------------------- |-7---5-/-10-\-3-3-3...------------------------------- STUMBLEINE tabbed by Peter Henderson(SALDEK); Oshawa, Ontario, CANADA TUNING: E A C F B E w/ capo first fret Well this song took me forever to tab...but here it is...and as correct as i could get it... **TAB IS RELATIVE TO THE CAPO!!** / - slide FIG. 1 FIG. 2 E-| |-----------------------------------|-------------------------------- B-|C|-5--------5--------6-------5-------|-------------------------------- F-|A|-----0------0----------0-------0---|-------------------------------- C-|P|---0----------0------0---0---0-----|-----0-----0---------0-------0-- A-|O|-7-----7--------7--8-------7-----7-|---7-----7-----7---7-------5---- E-| |-----------------------------------|-5-----5-----5---5-----0-3------ FIG. 3 (for 3* cut off at the point marked with ** below!!) E-| |-------------------------------------------------------------------- B-|C|-------------------------------------------------------------------- F-|A|-------------------------------------------------------------------- C-|P|-----0-----0---------0-------0-------0-----0---------0-----0-------- A-|O|---7-----7-----7---7-------5-------3-----3-----3---5-----5-----5---- |
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Band name | Smashing Pumpkins » |
Song name | Melon Collie And The Infinite Sadness » |
Tab type | Guitar tab » |
Added | 06/29/2008 |
Size | 62.37 Kb |
File format | txt |
Views/Loads | 1/0 |
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