Melon Collie And The Infinite Sadness ver.6 by Smashing Pumpkins guitar tab

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Melon Collie And The Infinite Sadness by Smashing Pumpkins guitar tab

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Melon Collie And The Infinite Sadness by Smashing Pumpkins guitar tab (text): # Mellon Collie and The Infinate Sadness album - Smashing Pumpkins NOTE: DO NOT PRINT THIS FROM THE INTERNET as it is approx. 65 pages long. It's best to save it on a floppy or on your hard drive and then to print the sections you want. This file was put together by CyberBry (659513@ican.net). BUT, all credit should be givin to the author of the chords/tab for each song. I did NOT write all of this tab! Most of it is from OLGA. SONG LIST: Mellon Collie and The Infinate Sadness Tonight, Tonight Jellybelly Zero Here Is No Why Bullet With Butterfly Wings To Forgive (Fuck You) An Ode to No One Love Cupid de Locke Galapogos Muzzle Porcelina of The Vast Oceans Take Me Down Where Boys Fear to Tread Bodies Thirty-Three In the Arms of Sleep 1979 Tales ofa Scorched Earth Thru the Eyes of Ruby Stumbleine x.y.u. We Only Come out at Night Beautiful Lily (my one and only) By Starlight Farewell and Goodnight MELLON COLLIE AND THE INFINATE SADNESS TRANSCRIBED BY ADAM MORRIS DO NOT overlook this TAB just because it a piano song, it is GREAT fun to play!! THIS IS THE COMPLETE TAB!! I have completed the TAB after MANY requests to do so, so...enjoy! This was NOT an easy task, I can assure you of that!! Some piano chords do not convert well to guitar! TUNING: 1/2 step down, dropped D (actually Db), with capo on 2nd fret. The 3rd fret now becomes the 1st fret etc. (this is just to be consistent with the half step down thing) Piano arranged for guitar E \|----------0-0--3-1-0-1-0--------\| B \|-1--------1-1--------3---3-1----\| G \|-0------0-0-0--------2-----x--2-\| D \|-2----2---2-2--------0-----3----\| A \|-3--3-----3-3--------------3----\| D \|--------------------------------\| \|----------0-0--3-1-0-1-0--------\| \|-1--------1-1--------3---3-1----\| \|-0------0-0-0--------2-----x--2-\| \|-2----2---2-2--------0-----3----\| \|-3--3-----3-3--------------3----\| \|--------------------------------\| \|-1--0------------------------0--\| \|-x-----3--1-----1--------1-3----\| \|-3--------x--2--0------0--------\| \|-3--------3-----2----2----------\| \|-1--------3-----3--3------------\| \|--------------------------------\| \|--------------------------------\| \|-6--5--3--1--1------------3-1---\| \|-0-----0--x--2--0-------0-----3-\| \|-0--------3-----1-----1---------\| \|-x--------3-----1---1-----------\| \|-5--------------1-1-------------\| \|--------------------------------\| \|-1----1--3--6-------------3-1---\| \|-2----2--3--3--3------3-5-----3-\| \|-x-------0-----5----5-----------\| \|-3--3----------5--5-------------\| \|--------------------------------\| \|--------------------------------\| \|-1----1--3--6-------------3-1---\| \|-2----2--3--3--3------3-5-----3-\| \|-x-------0-----5----5-----------\| \|-3--3----------5--5-------------\| \|--------------------------------\| \|--------------------------------\| \|-1----1--3--6-------------3-1---\| \|-2----2--3--3--3------3-5-----3-\| \|-x-------0-----5----5-----------\| \|-3--3----------5--5-------------\| \|--------------------------------\| \|--------------------------------\| \|-1---------1--------------------\| \|-2------2----3-2-0------0--3-2--\| \|-3----3----------1----1--------3\| \|-3--3------------1--1-----------\| \|--------------------------------\| CELLO ENTERS E \|----------0-0--3-1-0-1-0--------\| B \|-1--------1-1--------3---3-1----\| G \|-0------0-0-0--------2-----x--2-\| D \|-2----2---2-2--------0-----3----\| A \|-3--3-----3-3--------------3----\| D \|--------------------------------\| \|----------0-0--3-1-0-1-0--------\| \|-1--------1-1--------3---3-1----\| \|-0------0-0-0--------2-----x--2-\| \|-2----2---2-2--------0-----3----\| \|-3--3-----3-3--------------3----\| \|--------------------------------\| \|-1--0------------------------0--\| \|-x-----3--1-----1--------1-3----\| \|-3--------x--2--0------0--------\| \|-3--------3-----2----2----------\| \|-1--------3-----3--3------------\| \|--------------------------------\| \|----------------------------0---\| \|--------1---3-1---------1-3-----\| \|-3----x-2-----0-------0---------\| \|-3-2--x-3-----2-----2-----------\| \|-1------3-----3---3-------------\| \|--------------------------------\| \|----------------------------0---\| \|--------1---3-1---------1-3-1---\| \|-3----x-2-----0-------0---0-----\| \|-3-2--x-3-----2-----2-----------\| \|-1------3-----3---3-------------\| \|--------------------------------\| \|----------------------------0---\| \|--------1---3-1---------1-3-1---\| \|-3----x-2-----0-------0---0-----\| \|-3-2--x-3-----2-----2-----------\| \|-1------3-----3---3-------------\| \|--------------------------------\| \|-1-0----------------------------\| \|-3-3---1------------------3-1---\| \|-x-----2---2--0---------0-----3-\| \|-0-----3---3--1-------1---------\| \|-------3------1-----1-----------\| \|--------------1---1-------------\| \|--------------------------------\| \|-1----1--3--6-------------3-1---\| \|-2----2--3--3--3------3-5-----3-\| \|-x-------0-----5----5-----------\| \|-3--3----------5--5-------------\| \|--------------------------------\| \|--------------------------------\| \|-1----1--3--6-------------3-1---\| \|-2----2--3--3--3------3-5-----3-\| \|-x-------0-----5----5-----------\| \|-3--3----------5--5-------------\| \|--------------------------------\| \|--------------------------------\| \|-1----1--3--6-------------3-1---\| \|-2----2--3--3--3------3-5-----3-\| \|-x-------0-----5----5-----------\| \|-3--3----------5--5-------------\| \|--------------------------------\| \|--------------------------------\| \|-1--------1---------------------\| \|-2------2---3-2-0-------0-3-2---\| \|-x----3---------1-----1-------3-\| \|-3--3-----------1---1-----------\| \|------------------1-------------\| \|----------0-0--3-1-0-1-0--------\| \|-1--------1-1--------3---3-1----\| \|-0------0-0-0--------2-----x--2-\| \|-2----2---2-2--------0-----3----\| \|-3--3-----3-3--------------3----\| \|--------------------------------\| \|----------0-0--3-1-0-1-0--------\| \|-1--------1-1--------3---3-1----\| \|-0------0-0-0--------2-----x--2-\| \|-2----2---2-2--------0-----3----\| \|-3--3-----3-3--------------3----\| \|--------------------------------\| \|-1--0------------------------0--\| \|-x-----3--1-----1--------1-3----\| \|-3--------x--2--0------0--------\| \|-3--------3-----2----2----------\| \|-1--------3-----3--3------------\| \|--------------------------------\| \|--------------------------------\| \|-6--5--3--1--1------------3-1---\| \|-0-----0--x--2--0-------0-----3-\| \|-0--------3-----1-----1---------\| \|-x--------3-----1---1-----------\| \|-5--------------1-1-------------\| \|--------------------------------\| \|------------1-------------------\| \|-2--------2---3-2--0--------0---\| \|-0------0----------1------1-----\| \|-0----0------------1----1-------\| \|-0--0--------------1--1---------\| \|--------------------------------\| \|-3-1-----------------1----------\| \|-----3-2----------2------3---2--\| \|-------0--------0---------------\| \|-------0------0-----------------\| \|-------0----0-------------------\| \|---------------19-20------*-----\| \|-------11-12---------------------\| \|-4-------------------------------\| \|-4-------------------------------\| \|-2-------------------------------\| \|---------------------------------\| ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~* This whole measure is IMPOSSIBLE to be arranged for guitar because of the difference in number of octaves to a piano. The C is meant to be a low C, but I HAD to arrange it as a high, I am very sorry! Impossible note on a guitar. ** Remember that the numbers shown are fret numbers IN RELATION TO THE CAPO! The dot on the 3rd fret becomes the 1st fret in the tab fret. As you can probably tell, this TAB was not an easy task for me to work out and transcribe, so..... PLEASE tell me what you think!!! Adam benmo@deakin.edu.au TONIGHT, TONIGHT performed by the Smashing Pumpkins from the album Mellon Collie and the Infinite Sadness tabbed by perth@nando.net Unfortunately, my orchestral string ensemble is in the shop right now, so i couldn't tab out that part :> Fortunately, this album, Billy was brave and included the lyrics. The bass is also tuned down and plays the theme Cb, Bb, Db in the key of Cb. Key of C flat Chords of magic: eb--3--0---1-----x---- Bb--3--0---1-----3---- Gb--0--0---0-----2---- Db--0--2---2-----0---- Ab--2--2---3-----x---- Eb--3--x---x-----x---- G Em Cadd9 D The fingerpicking part for the verses: repeat a few times eb------------------------------------------------------ \| Bb-----0--------0--------0-----0--------0--------0------o\| Gb--------0--------0--------------0--------0------------ \| Db-----------0--------0--------------0--------0--------- \| Ab--3-----------------------5---------------------------o\| Eb------------------------------------------------------ \| t r m i r m i r t r m i r m i r t: thumb, r: ring, m: middle, i: index The rythm part: G Em G Em Cadd9 G D Cadd9 G D Cadd9 G D G time is never time at all you can never ever leave without leaving a piece of youth and our lives are forever changed we will never be the same the more you change the less you feel G D Em believe, believe in me, believe (believe) G D Em that life can change, that you're not stuck in vain Cadd9 G D Cadd9 G D we're not the same, we're different tonight Cadd9 G D G tonight, tonight, so bright Cadd9 G D Cadd9 G D G Em tonight, tonight G and you know you're never sure Em but you're sure you could be right if you held yourself up to the light G and the embers never fade in your city by the lake Em the place where you were born G D Em believe, believe in me, believe (believe) G D Em in the resolute urgency of now Cadd9 G D Cadd9 G D and if you believe there's not a chance tonight Cadd9 G D G Cadd9 tonight, tonight, so bright Cadd9 G D G D Em tonight, tonight G Cadd9 G D Em we'll crucify the insincere tonight (tonight) G Cadd9 G D Em we'll make things right, we'll feel it all tonight (tonight) G Cadd9 G D Em we'll find a way to offer up the night tonight G Cadd9 G D Em the indescribable moments of your life tonight G Cadd9 G D Em the impossible is possible tonight (tonight) G Cadd9 believe in me as i believe in you, tonight G D Em tonight, tonight, tonight, tonight... Ok..goodnight Dennis. JELLYBELLY Tabbed by Brian McCall [Db, Ab, Db, Gb, Bb, Eb] Intro G1 and G2 heavy distortion \|------------------------------------------------------ \|------------------------------------------------------ \|------------------------------------------------------ \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\-- \|------------------------------------------------------ \|------------------------------------------------------ \|------------------------------------------------------ \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------pfbr3---- \|------------------------------------------------------ \|------------------------------------------------------ \|------------------------------------------------------ \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---------------------- \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------/12~~~\-- \|------------------------------------------------------ \|------------------------------------------------------ \|-----------------------------------5/7-X-5-5---------- \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---5/7-X-5-5-5-5------ \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0---3/5-X-3-3-5-5------ \|-5p4p0-5p4p0-5p4p0-5p4p0-5p4p0-0-------------5-5------ \|-------------------------------------------------------- \|-------------------------------------------------------- \|-----5/7-X-5-5---------5/7-X-5-5---------5/7------------ \|-0---5/7-X-5-5-5-5-0---5/7-X-5-5-5-5-0---5/7-5p4p0-5p4p0 \|-0---3/5-X-3-3-5-5-0---3/5-X-3-3-5-5-0---3/5-5p4p0-5p4p0 \|-0-------------5-5-0-------------5-5-0-------5p4p0-5p4p0... 1 \|------------------------------------------------------ \|------------------------------------------------------ \|-2--2--5--5------5/7-X-5-5-----2--2--5--5------5/7-X-- \|-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5--0---5/7-X-- \|-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--3--0---3/5-X-- \|-------------0-------------5-5-------------0---------- \|------------------------------------------------------ \|------------------------------------------------------ \|-5-5-----2--2--5--5------5/7-X-5-5-----2--2--5-------- \|-5-5-5-5-2--2--5--5--0---5/7-X-5-5-5-5-2--2--5--5----- \|-3-3-5-5-0--0--3--3--0---3/5-X-3-3-5-5-0--0--3--5----- \|-----5-5-------------0-------------5-5----------5----- 2 (chorus) \|------------------------------------------------------ \|-3-------0--------------------------------------------- \|-2---5---0-----7---9---11--14-14----------------------- \|-0---5---5---X-X-X-X-X-X-X-X--X------------------------ \|-0---3---5---X-5-X-7-X-9-X-12-12----------------------- \|-0-------5---X---X---X---X----------------------------- 3 (2nd verse) \|------------------------------------------------------ \|------------------------------------------------------ \|-2--2--5--5--X-7-X-5-X-7-X-5-X------2--2--5----------- \|-2--2--5--5--X-7-X-5-X-7-X-5-X-5-5--2--2--5--5--X-4--- \|-0--0--3--3--X-5-X-3-X-5-X-3-X-5-5--0--0--3--5--X-4--- \|-------------X---X---X---X---X-5-5-----------5--X-4--- \|------------------------------------------------------- \|------------------------------------------------------- \|----------------------2--2--5--5--X-7-X-5-X-7-X-5-X---- \|-X-5-X-7-X-9-X-10-10--2--2--5--5--X-7-X-5-X-7-X-5-X-5-5 \|-X-5-X-7-X-9-X-10-10--0--0--3--3--X-5-X-3-X-5-X-3-X-5-5 \|-X-5-X-7-X-9-X-10-10--------------X---X---X---X---X-5-5 \|------------------------------------------------------ \|------------------------------------------------------ \|-2--2--5---------------------------------------------- \|-2--2--5--5------------------------------------------- \|-0--0--3--5------------------------------------------- \|----------5------------------------------------------- repeat 2 \|----------------------- ------------------- \|-X-7-X-5-X-7-X-5-X----- -----4-4----------- \|-X-7-X-5-X-7-X-5-X-5-5- -4-4-4-4----------- \|-X-5-X-3-X-5-X-3-X-5-5- -4-4-2-2----------- \|-X---X---X---X---X-5-5- -4-4--------------- ^repeat until 4 \|------------------------------------------------------ \|------------------------------------------------------ \|-------------4-4-------------------------------------- \|-0-0-5-5-4-4-4-4-------------------------------------- \|-0-0-5-5-4-4-2-2-------------------------------------- \|-0-0-5-5-4-4----...----------------------------------- then cracendo (sp I'm sure) a-la-Rocket and back to 1 and intro with a few variations I didn't tab. ZERO Tabbed by Brian McCall All guitars tuned to Eb (Eb Ab Db Gb Bb Eb) 1 G1 (G2 enters later) Distortion \|-------------------------------------------------------------- \|-------------------------------------------------------------- \|-5-\4-4---------5-5\4-4---------5-\4-4---------5-3\4-4-------- \|-X--X-X---------X-X-X-X---------X--X-X---------X---X-X-------- \|-3-\2-2---------3-3\2-2---------3-\2-2---------3-3\2-2-------- \|--------0-0-0-0---------0-0-0-0--------0-0-0-0---------0-0-0-0 ^-----^ ^-----^ ^-----^ ^-----^ harmonics harm. harm. harm. * These harmonics are produced by lightly applying your index finger to the low E and gradually sliding from around fret 1.75 to 4 or so. A good way of looking at this is letting your finger touch the E while setting back up for the C octave chord. 2 \|--------------------------------------- \|--------------------------------------- \|-9-----11----9-----12----11\7--7------- \|-X-----X-----X-----X-----X-----X------- \|-7-----9-----7-----10----9-\5--5------- \|---0-0---0-0---0-0---0-0--------------- ^repeat Put in Es (\|022100\| or \|079900\|) in the part that goes: "Emptiness is lovliness and\Lovliness is cleanliness and\ Cleanliness is godliness and\God is empty just like me." 3 (after slide and under solo) G2 \|-------------------------------------------------------------- \|-------------------------------------------------------------- \|---------------5-5\4-4-------------------------5-5\4-4-------- \|---------------X-X---X-------------------------X-X---X-------- \|-3-2---2-------3-3\2-2---------3-3-2---2-------3-3\2-2-------- \|-----3---0-0-0---------0-0-0-0-------3---0-0-0---------0-0-0-0 \|-------------------------------------------------------------- \|-------------------------------------------------------------- \|-------------------------------------------------------------- \|-------------------------------------------------------------- \|-3-3-2---2-------2-3-2-2-------------------------------------- \|-------3---0-2-3---------0-0-0-0-...and so on----------------- 4 (You blame yourself...) \|-------------------------------------------------------------- \|-------------------------------------------------------------- \|-9-----9-----9-----9-----11---12------------------------------ \|-X-----X-----X-----X-----X----X------------------------------- \|-7-----7-----7-----7-----9----10------------------------------ \|---0-0---0-0---0-0---0-0----0----0---------------------------- ^repeat at the end of this riff G2 plays: \|-------------------------------------------------------------- \|-------------------------------------------------------------- \|-9-9-9-111111121212------------------------------------------- \|-X-X-X-X-X-X-X-X-X-------------------------------------------- \|-7-7-7-9-9-9-101010------------------------------------------- \|-------------------....on up---------------------------------- Those high sceams (like the end of the above) are the high E on the 24th fret (it's james on his V or flood in the production room). then repeat 1 and that's Zero! HERE IS NO WHY By: The Smashing Pumpkins Tab By: Carlos Bustos Email: cab144@mail.usask.ca TUNING: Down half a step Comment: This song contains similar riffs throughout, BUT, the riffs are changed everyonce in a while. I tab'ed it from start to finish to make it easier. [INTRO]: Amaj7, NOT A. \|\|-x-------------x-------------x------------------------------------------\| \|\|-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x-\| \|\|-1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x-\| \|\|-2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x-\| \|\|-0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x-\| \|\|-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x-\| \|\|-----------x-------------x-------------x-------------------------------\| \|\|-0---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------0-\| \|\|-1---------1-----x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-\| \|\|-2---------2-----x-x--x--2-----x-x--x--2-----x-x--x------------------2-\| \|\|-2---------0-----x-x--x--0-----x-x--x--0-----x-x--x------------------2-\| \|\|-0--0--3p0-x-----x-x--x--x-----x-x--x--x-----x-x--x------------------0-\| \|\|-------------------\| \|\|-------------------\| \|\|-9/11-9-7-7-7-7-6--\| \|\|-x--x-x-x-7-7-7-7--\| \|\|-7/-9-7-5-5-5-5-7--\| \|\|----------5-5-5-5--\| [RIFF A]: \|\|---x-------------x-------------x-------------x--------------------------\| \|\|---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--0-----x-x--x-\| \|\|---1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-\| \|\|---2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-\| \|\|---0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--2-----x-x--x-\| \|\|---x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--0-----x-x--x-\| The useless ... another day The endless.. death rock boooooy__ \|\|--------------\| \|\|---0----------\| \|\|---1----------\| \|\|---2----------\| \|\|---2----------\| \|\|---0--0--3p0--\| Repeat [RIFF A]: Mascara sure and lipstick lost ... glitter burned by restless thoughts \|\|-------------------\| \|\|-------------------\| \|\|-9/11-9-7-7-7-7-6--\| \|\|-x--x-x-x-7-7-7-7--\| \|\|-7/-9-7-5-5-5-5-7--\| \|\|----------5-5-5-5--\| of being forgotten [NEXT RIFF, this one varies]: Distortion comes in REALLY big here. \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6------------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--0-----------------------------------------------\| and in your sad machines \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--------------------------------------------------\| you'll forever staaay \|\|----------------------------------------------------\| \|\|----------------------------------------------------\| \|\|---------------6--6--6------------9/11-9-7-7-7-7-6--\| \|\|--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--\| \|\|--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--\| \|\|--2-----2-2-2--5--5--5--0------------------5-5-5-5--\| desperate and displeased with whoever you are \|\|---------x-------------x---------------------------------------------\| \|\|-x-x--x--2-----x-x--x--2-----x-x--x------------------0-----x-x--x--0-\| \|\|-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4-1-----x-x--x--1-\| \|\|-x-x--x--2-----x-x--x--2-----x-x--x------------------2-----x-x--x--2-\| \|\|-x-x--x--0-----x-x--x--0-----x-x--x------------------2-----x-x--x--2-\| \|\|-x-x--x--x-----x-x--x--x-----x-x--x------------------0-----x-x--x--0-\| and you're a star \|\|--------\| \|\|--------\| \|\|--------\| \|\|--------\| \|\|--------\| \|\|-0--3p0-\| [The Amaj7 goes on a little longer here] \|\|-x-------------x-------------x-------------x-------------x------------\| \|\|-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-\| \|\|-1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x--1-----x-x--x-\| \|\|-2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x--2-----x-x--x-\| \|\|-0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x--0-----x-x--x-\| \|\|-x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x--x-----x-x--x-\| Somewhere______ he pulls his hair down over a frowning \|\|-x-------------------------------------x-------------x-------------x----\| \|\|-2-----x-x--x--0-----x-x--x--0---------2-----x-x--x--2-----x-x--x--2----\| \|\|-1-----x-x--x--1-----x-x--x--1---------1-----x-x--x--1-----x-x--x--1----\| \|\|-2-----x-x--x--2-----x-x--x--2---------2-----x-x--x--2-----x-x--x--2----\| \|\|-0-----x-x--x--2-----x-x--x--2---------0-----x-x--x--0-----x-x--x--0----\| \|\|-x-----x-x--x--0-----x-x--x--0--0--3p0-x-----x-x--x--x-----x-x--x--x----\| smile A hidden cannot find the secret \|\|---------x------------------------------------\| \|\|-x-x--x--2----x-x--x--0-----------------------\| \|\|-x-x--x--1----x-x--x--1-----9/11-9-7-7-7-7-6--\| \|\|-x-x--x--2----x-x--x--2-----x--x-x-x-7-7-7-7--\| \|\|-x-x--x--0----x-x--x--2-----7/-9-7-5-5-5-5-7--\| \|\|-x-x--x--x----x-x--x--0--------------5-5-5-5--\| star cannot shine over to you \|-Palm Mute-\| \|\|--4-x-x-4-x-x-----------------------------------------------------------\| \|\|--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------\| \|\|--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------\| \|\|--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------\| \|\|--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------\| \|\|--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------\| May the king of gloom \|-Palm Mute-\| \|\|--4-x-x-4-x-x-----------------------------------------------------------\| \|\|--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------\| \|\|--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------\| \|\|--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------\| \|\|--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------\| \|\|--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------\| Be for__ever doooooomed \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6------------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--0-----------------------------------------------\| and in your sad machines \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--------------------------------------------------\| you'll forever stayyy_________ \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6------------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--0-----------------------------------------------\| burning up in speed \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6------------9/11-9-7-7-7-7-6----------------------\| \|\|--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7----------------------\| \|\|--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7----------------------\| \|\|--2-----2-2-2--5--5--5--0------------------5-5-5-5----------------------\| lost inside the dreams of teen machines [interlude leading up to solo]: The useless drag, the empty days the lonely towers of long mistakes to forgotten faces and faded loves sitting still was never enough [SOLO]: Solo, credit goes to jhewitt@ifu.net for this part of the solo thanx a bunch. \|\|-------------------------------------------------------------------- \|\|--15b--------------------------------------------------------------- \|\|-------------------------15b--12h13-12-12h13p12------------------15b \|\|-----16b-13-15-17h18-13~------------------------13h15p13--15p13----- \|\|-------------------------------------------------------------------- \|\|-------------------------------------------------------------------- \|\|-------------------------------------------------------------------- \|\|--19b--------------------------------------------------------------- \|\|------15/17\13--------------------13h15p13-12h13p12-13h15-13b12----- \|\|---------------15/17\13-13/15/18------------------------------------ \|\|-------------------------------------------------------------------- \|\|-------------------------------------------------------------------- \|-Palm Mute-\| \|\|--4-x-x-4-x-x-----------------------------------------------------------\| \|\|--5-x-x-5-x-x-5---5---7---7-----5---------------------------------------\| \|\|--6-x-x-6-x-x-6---6---7---7-----6---------------------------------------\| \|\|--6-x-x-6-x-x-6---6---7---7-----7----------------15b16b15~~-------------\| \|\|--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------\| \|\|--4-x-x-4-x-x-4---4---5---5-----5---------------------------------------\| and if your giving in(now thats a scream) \|-Palm Mute-\| \|\|--4-x-x-4-x-x-----------------------------------------------------------\| \|\|--5-x-x-5-x-x-5---5---7---7-----9---------------------------------------\| \|\|--6-x-x-6-x-x-6---6---7---7-----9----------------13/14-14/16-16~--------\| \|\|--6-x-x-6-x-x-6---6---7---7-----9-----------------x--x--x--x--x---------\| \|\|--4-x-x-4-x-x-4---4---5---5-----7----------------11/12-12/14-14~--------\| \|\|--4-x-x-4-x-x-4---4---5---5-----7---------------------------------------\| then your giving uuup \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6------------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--0-----------------------------------------------\| cause in your sad machines \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6--9---------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--9---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--7---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--------------------------------------------------\| you'll forever stay \|\|------------------------------------------------------------------------\| \|\|------------------------------------------------------------------------\| \|\|---------------6--6--6------------9-9-9-9-911-9-7-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------x-x-x-x-x-x-x-x-----------------------\| \|\|--4-----4-4-4--7--7--7--2---------7-7-7-7-7-9-7-5-----------------------\| \|\|--2-----2-2-2--5--5--5--0-----------------------------------------------\| burning up in speed \|\|----------------------------------------------------\| \|\|----------------------------------------------------\| \|\|---------------6--6--6------------9/11-9-7-7-7-7-6--\| \|\|--4-----4-4-4--7--7--7--2---------x--x-x-x-7-7-7-7--\| \|\|--4-----4-4-4--7--7--7--2---------7/-9-7-5-5-5-5-7--\| \|\|--2-----2-2-2--5--5--5--0------------------5-5-5-5--\| lost inside the dreams of teen machines \|\|---------x-------------x------------------------------------------------\| \|\|-x-x--x--2-----x-x--x--2-----x-x--x------------------5~-----------------\| \|\|-x-x--x--1-----x-x--x--1-----x-x--x--2h4p2\1-1h2-2/4--------------------\| \|\|-x-x--x--2-----x-x--x--2-----x-x--x--(slow)-----------------------------\| \|\|-x-x--x--0-----x-x--x--0-----x-x--x-------------------------------------\| \|\|-x-x--x--x-----x-x--x--x-----x-x--x-------------------------------------\| BULLET WITH BUTTERFLY WINGS [I (CyberBry) could not find the name of the author of this tab. If it is yours PLEASE e-mail me and tell me and proper recognition will be givin] All guitars tuned Eb, Ab, Db, Gb, Bb, Eb "The world is a vampire..." 1 G1 and G2 mid/light distortion \|--------------------------------------------------------- \|--------------------------------------------------------- \|-4-4-4-4-(4)----------2-2-2-2---------------------------- \|-4-4-4-4--5--2--2-2-2-2-2-2-2---------------------------- \|-2-2-0-2--5--2--2-2-2-0-0-0-0---------------------------- \|----------3--0--0-0-0------------------------------------ ^repeat 2 < < \|--------------------------------------------------------- \|--------------------------------------------------------- \|-4-4-4-------------------2---2--------------------------- \|-4-4-4-2-2-2-2-2-5-5-5-5-2-2-2-2------------------------- \|-2-2-2-2-2-2-2-2-5-5-5-5-0-0-0-0------------------------- \|-------0-0-0-0-0-3-3-3-3--------------------------------- ^repeat ^ that little " Chorus ends with: \|--------------------------------------------------------- \|--------------------------------------------------------- \|-------------2------------------------------------------- \|-2---5---4---2------------------------------------------- \|-2---5---4---0------------------------------------------- \|-0---3---2----------------------------------------------- ^repeated several times after second chorus back to 1... End riff (similar to 3) \|--------------------------------------------------------- \|---------3----------------------------------------------- \|-4-------2-X-2------------------------------------------- \|-4-X-5---0-X-2------------------------------------------- \|-2-X-5---0-X-0------------------------------------------- \|-----3--------------------------------------------------- add rhythm there as appropriate... you know how I hate to tab out all those rhythm strumms (ie. the end riff)...sorry. TO FORGIVE KEY: p= pull off Tuning: Down 1/2 step ^= bend up intro/verse G5 F#5 Em ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- -----5---5------2----------4---4-------4p2---------------- ---5---5------4---4-0----2---2---2----------2------------- -3----------2----------0------------0---------0----------- verse part 2 ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- ---------------------------------------------------------- ------3^--0----------------------------------------------- --0------------------------------------------------------- chorus G Asus2 Em(use Em part from intro) holding back the fool again chorus chords EADGBE G- 320003 Asus2-x02200 Any questions or comments email me at Riffhead@aol.com (FUCK YOU) AN ODE TO NO ONE Tabbed by Brian McCall Eb tuning 1 Heavy distortion, palm muting throughout \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2...5-5-5-5-5-5-5-5-5-5-5 \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-5-5-5-5-5-5-5-5...2-2-2-2-2-2-2-2-2-2-2-2....5-5-5-5... gradually let off of palm muting \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2------------------------ 2 \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-4-----4-----4-------4-7-4-----4-----4-------4-7-4-----4 \|-4-----4-----4-------4(7)4-----4-----4-------4(7)4-----4 \|-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2-0-0-2-0-0-0-2-5-2-0-0-2 ^repeat \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-----2--2----------------------------------------------- \|-----2--2----------------------------------------------- \|-0-0-0--0----------------------------------------------- back to 1 repeat 2 but add this to the end \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------9------------------------------------------------ \|-9-9-X-9----2------------------------------------------- \|-9-9-X-7----2------------------------------------------- \|-7-7-X------0------------------------------------------- 3 p.m.------------------\| \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-2-2-2-2-2-2-2-2-2-2-2-2-0h2p0-5~----------------------- ^repeat twice more p.m.------------------\| \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------2--2--------------------------- \|-------------------------2--2--------------------------- \|-2-2-2-2-2-2-2-2-2-2-2-2-0--0--------------------------- 4 (strum to the rhythm) \|-------------------------------------------------------- \|-------------------------------------------------------- \|------------------------------------------------------- \|-4-----4-4-4---4-4-6-6-----7-----9-----11---------------- \|-X-----X-X-X---X-X-X-X-----X-----X-----X--2-------------- \|-2-...-2-2-2-0-2-2-4-4-...-5-...-7-...-9--0-------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------ \|-4-4-----2-2-2-4-4-----2-2-2-4-4-----2-2-2-4-4---2------ \|-2-2-----0-0-0-2-2-----0-0-0-2-2-----0-0-0-2-2---0------ p.m.-----------...\| \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-2-2-2-2-2-2-2-2...------------------------------------- slow down....stop. less distortion \|-------------------------------------------------------- \|-------------------------------------------------------- \|-2------------2---------2------------------------------- \|-2--2--4------2--2--4---2--2--4---2--------------------- \|-0--2--4------0--2--4---0--2--4---2--------------------- \|----0--2--/9\----0--2------0--2---0--------------------- repeat 4 LOVE Tune down half step to flats. G# B E To my mistakes, to my mistakes of cowardice G# B E G# She shimmy shakes, the jimmy jakes of consequence G# B E G# born of the airs and dues, my airs of madness do declare G# B E That it's o.k, it's love E F# It's what you wanted to see, it's who you wanted to be For what you needed to need, she'll make it up G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B E Machine gun blues, her vacant rush so steel G# B E I'm unaware, lost inside your visions G# B E G# I got mine too over, i got mine and i got you G# B E Cause i know you, you're love E F# It's want you wanted to see, it's who you wanted to be For what you needed to need, she'll make it up G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know E When i lost my mind, i knew i was in for a long ride (Over the solo play the chords G# B C# E as in the chorus) Solo was tabbed by David Worsely (i stole it) Solo: \|-5-5-5-5-10\-10\-10\-10\-10\-8---8-10\-14\-16\-17\-\| \ is a bend \|-------------------------------9-------------------\| \|---------------------------------------------------\| \|---------------------------------------------------\| \|---------------------------------------------------\| \|---------------------------------------------------\| \|-17-15-------15----19-15----20\-17-\| \|-------17-15----17-------17--------\| \|-----------------------------------\| \|-----------------------------------\| \|-----------------------------------\| \|-----------------------------------\| \|-17-15------------------------------\| \|-------17-15-12-15-15-17-15-20-full-\| \|-------------------------------bend-\| \|------------------------------------\| \|------------------------------------\| \|------------------------------------\| E F# Can i look up to you as you look down on me E Can i feel in to you as you felt in to me F# I can't help what you see, i can't help but to be For what i needed to need, she'll make it up G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know G# B C# E Love, love, it's who you know (Play G# after the last words of the chorus B E G# Love solves everything, Love Thanks, hope you like it! CUPID DE LOCKE Transcribed by Dietrich Featherston b-bend r-release e-\|-----0----------------\| B-\|--5-----5--4b5r4------\| G-\|----------------------\| D-\|----------------------\| A-\|----------------------\| E-\|----------------------\| This is probably the easiest song I have ever tabbed I just put it here for the sake of putting something on the internet. Marcus Featherston marcus@interoz.com mlf@falcon.nssf.af.mil mfeathe@garnet.acns.fsu.edu *************************************************************** http://www.interoz.com/usr/marcus/access.exe?marcus OR http://www.interoz.com/usr/marcus/marcus.htm Guitars, Amps, Astronomy, Pianos, Compilers, SW Reengineering, Compilers **************************************************************** GALAPOGOS tabbed by Peter Henderson(Saldek) ; Oshawa, Ontario, CANADA TUNING: half step down-Eb Ab Db Bb Gb Eb (verse starts on repeat) RHYTHM FIGURE 1; 1.ain't it.... Eb------------------------------9-----------9------------------- Bb-------10-----------10----------10----------10-----------10--- Gb----11----11~----11----11~---------11~---------11~----11---11~ Db-12-----------12-----------12----------12----------12--------- Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- Eb-----------------9----------9--------------------------15----- Bb-------10----------10---------10~-12-------12-------------12-- Gb----11----11~---------11~------------12-------12----12-------- Db-12-----------12----------12------------12-------12----------- Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- 2.carve out... Eb-------------------------------------------------------------- Bb--------12--------------10----------10----------10-----------10 Gb----12~-------12-----11----11~---11----11~---11----11~----11--- Db-12--------12-----12-----------12----------12----------12------ Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- Eb--------9-----------9-----------9-----------9----------------- Bb----------10----------10----------10----------10~-12-------12- Gb-11~---------11~---------11~---------11~-------------12------- Db-----12----------12----------12----------12-------------12---- Ab-------------------------------------------------------------- Eb-------------------------------------------------------------- ...blanket skies.. ....old oak tree... Eb----------15-----------------\|---0--0--0--0--0--0--0--0------- Bb-------------------12-------:\|---10-10-10-10-10-10-10-10------ Gb-12----12-------12-------12--\|---11-11-11-11-11-11-11-11------ Db----12-------12-------12-----\|12-12-12-12-12-12-12-12-12------ Ab----------------------------:\|-------------------------------- Eb-----------------------------\|-------------------------------- Verse 1; (with rhythm figure 1) ain't it funny how we pretend we're still a child softly stolen under our blanket skies Dm(no 3rd) D/F# Em7 G Dm(no 3rd) D/F# and rescue me from me, Em7 G and all that i believe Dm(no 3rd)D/F# Em7 G i.........won't deny the pain Dm(no 3rd)D/F# Em7 i.........won't deny the change G Dm(no 3rd) D/F# Em7 and should i fall from grace here with you G will you leave me too? Verse 2; (with rhythm figure 1) carve out your heart for keeps in an old oak tree D* D** E* D* and hold me for goodbyes-and whispered lullabyes Dm(no 3rd) D/F# Em7 G Dm(no 3rd) D/F# and tell me i am still Em7 g the man i'm supposed to be Dm(no 3rd)D/F# Em7 G i.........won't deny the pain Dm(no 3rd)D/F# Em7 i.........won't deny the change G Dm(no 3rd) D/F# Em7 and should i fall from grace here with you G Em7 G will you leave me too? Will you leave me too? Interlude; Eb-------------------------------\|------------------ Bb-12\10--7\5--8\7--5\3--7/8~~--:\|-----repeat------- Gb-11\-9--6\4--7\6--4\2--6/7~~---\|--------3--------- Db-0---0--0-0--0-0--0-0--0-------\|------times------- Ab------------------------------:\|------------------ Eb-------------------------------\|------------------ Eb----------------------2-------0---------------------------- Bb-----0---0---0----------0------------or something---------- Gb---2---2---2---2----2-----2-----2---like that..just play--- Db-0----------------0---------0--------around with----------- Ab---------------------------------------Dm(no 3rd)---------- Eb----------------------------------------------------------- Bridge; D5 A5 G5 too late to turn to turn back now, i'm running out of sound A#5 C5 and i am changing, changing D5 A5 G5 and if we died right now, this fool you love somehow A#5 is here with you Dm(no 3rd)D/F# Em7 G i.........won't deny the pain Dm(no 3rd)D/F# Em7 i.........won't deny the change G Dm(no 3rd) D/F# Em7 and should i fall from grace here with you G Em7 G will you leave me too? Will you leave me too? Rhythm Figure one ....end with D* CHORDS; Dm (no 3rd) - X X 0 2 3 0 D/F# - 2 X 0 2 3 X Em7 - 0 2 2 0 3 0 G - 3 2 0 0 3 3 D* (?) - X X 12 11 10 9 D** (?) - X X X 11 10 12 E* (?) - X X X 7 8 9 Well there ya go...if you have any questions, corrections or comments please send them to me....I hope this TAB makes sense for you...And if you know the names for those chords with question marks..please tell me... -- \| Fidonet: Peter Henderson 1:229/125 \| Internet: Peter.Henderson@pconline.gryn.org MUZZLE tabbed by CyberBry 659513@ican.net A G Bm A G Bm i fear that i'm ordinary just like anyone to lie here and die among the sorrows adrift among the days D Bm E for everything i ever said and everything i've ever done is gone and dead D Bm A and all things must surly have to end and great loves will one day have to part i know that i'm meant for this world A G Bm A G Bm my life has been extraordinary blessed and cursed and won time heals but i'm forever by and by the way D Bm E have you ever heard the words i'm singing in these songs? D Bm A it's for the girl i've loved all along could a taste of love be so wrong D Bm A as all things must surely have to end and great loves will one day have to part i know that i'm meant for this world A G Bm A G Bm and in my mind i was floating far above the clouds some children laughed i'd fall for certain for thinking that i'd last forever G Bm A but i knew exactly where i was and i knew the meaning of it all and i knew the distance to the sun and i knew the echo that is love and i knew the secrets in your spires and i knew the emptiness of youth and i knew the solitude of heart and i knew the murmurs of the soul D Bm A and the world is drawn into your hands and the world is etched upon your heart and the world so hard to understand D Bm E is the world you can't live without D Bm A and i knew the silence of the world PORCELINA OF THE VAST OCEANS Tabbed by Brian McCall [Db Ab Db Gb Bb Eb] (Eb tuning down to drop D) 1 G1 Clean \|-------------------------------------------------------- \|---------0---------------0-----------------0------------ \|-----6-----6---6-----6-----6---6------12-----12----12--- \|---7---------7-----7---------7-----10-----------10------ \|-0-----0---------0-----0---------0-------0-------------- \|-------------------------------------------------------- \|-------------------------------------------------------- \|-----------0-------------------------------------------- \|------12-----12----12----------------------------------- \|---10-----------10-------------------------------------- \|-0-------0---------------------------------------------- \|-------------------------------------------------------- ^repeat... G2 Clean with slight phasing. Lead fill over 1 \|------------------------------------0------------------- \|---------------------------------0---------------------- \|-------------------------------------------------------- \|-11-(/)-14-(\)-9--11--7--9hbr-7------------------------- \|-------------------------------------------------------- \|-------------------------------------------------------- 2 (Pre-Chorus) Both guitars Heavy distortion \|-------------------------------------------------------- \|-------------------------------------------------------- \|-11--14---9---11---7/9-9\7------------------------------ \|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 \|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 \|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10... \|------------------------------------------------------------------ \|------------------------------------------------------------------ \|-11-11--14-14---9-9---11-11---7/9-9\7------------------------------ \|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 \|-9--9---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 \|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10.. \|-------------------------------------------------------- \|-----------------------------------------0-0------------ \|-----------------------------------------0-0------------ \|-7-7-7-----------------------------------5-5------------ \|-7-7-7...--------------------------------5-5------------ \|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...--------- Verse is hard to hear, can't figure it out, but it goes: D A C G "And in my mind..." A C G A C 3 (longer pre-chorus) \|-------------------------------------------------------- \|-------------------------------------------------------- \|-11--14---9---11---7/9-9\7------------------------------ \|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 \|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 \|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10... \|------------------------------------------------------------------ \|------------------------------------------------------------------ \|-11-11--14-14---9-9---11-11---7/9-9\7------------------------------ \|-X--X---X--X----X-X---X--X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 \|-7--7---12-12---7-7---9--9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 \|------0-------0-----0------0----------0-7-7-7-7-7-7-7-7-10-10-10-10.. \|-------------------------------------------------------- \|-------------------------------------------------------- \|-11--14---9---11---7/9-9\7------------------------------ \|-X---X----X---X----X---X-X---7-7-7-7-7-7-7-7-10-10-10-10 \|-9---12---7---9----5/7-7\5---7-7-7-7-7-7-7-7-10-10-10-10 \|---0----0---0----0---------0-7-7-7-7-7-7-7-7-10-10-10-10... \|-------------------------------------------------------- \|-----------------------------------------0-0------------ \|-----------------------------------------0-0------------ \|-7-7-7-----------------------------------5-5------------ \|-7-7-7...--------------------------------5-5------------ \|-7-7-7-7-7-7-7-7-10-10-10-10-10-10-10-10-5-5...--------- 4 Feedback Verse G2 8va (what the hell does that mean anyway?)----\| \|-------------------------------------------------------- \|-------------------------------------------------------- \|-/14--------\9------/17------\7------/14-----\9--------- \|-------------------------------------------------------- \|-/12--------\7------/15------\5------/12-----\7...------ \|-------------------------------------------------------- Allow octaves to feedback at different pitches repeat the riffs, and that's Porcelina! TAKE ME DOWN Written and performed by James Iha Transcribed by Adam Morris I have a feeling many of you who were bagging this song earlier have changed your minds. It IS a great song..really grew on me! Anyway, here is my take on how it is played. Tuning: Eb Take note: I have four (kinda 5) different E's in here. Sorry there so many chords, but this is as accurate as I get :) CHORDS USED: E A D G B E - - - - - - E 0 2 2 1 0(0) E(i) 0 2 2 4 2 x (actually E (no 3rd) (add C#) Emaj7 0 2 2 4 4 4 Esus2 0 7 9 9 7 7 A x 0 2 2 2 0 A5 x 0 2 2 x x G#m 4 6 6 4 4 4 G#5 4 6 6 x x x D#\E5 x 6 9 9 x x C#sus2 x 4 6 6 4 4 Bsus2 x 2 4 4 2 2 F#5 2 4 4 x x x Intro: E(i) Emaj7, E(i) Emaj7 E(i) Emaj7 and take me down, to the underground E(i) Emaj7 won't you take me down, to the underground A5 why oh why, there is no light A5 (BASS NOTE: B) and if i can't sleep, can you hold my life Esus2 D#\E5 C#sus2 Bsus2 And Allie_________________ (I know these aren't the lyrics, but this bit is not written in the lyrics) A5 and all i see is you E(i) Emaj7, E(i) Emaj7 E(i) Emaj7 and take my hand, i lost where i began E(i) in my heart i know all of my faults Emaj7 E will you help me understand A and i believe in you G#m you're the other half of me Csus2 (Bass Note: High E) Bsus2 soothe... and heal... A when you sleep, when you dream, Bsus2 Bsus2 Bsus2 i'll be there if you need me, whenever i hear you sing... A5 Emaj7 A Esus2 D#\E5 C#sus2 Bsus2 A5 there is a sun, it'll come, the sun, i hear them call me down Esus2 D#\E5 C#sus2 Bsus2 i held you once, a love that once, and life had just begun A5 and you're all i see... Esus2 D#\E5 C#sus2 Bsus2 and trumpets blew, and angels flew on the other side A5 G#5 and you're all i see, and you're all i'll need F#5 E there's a love that god puts in your heart. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Well...that, I believe, is pretty damn close! Anyone agree/disagree? E-mail me with any comments, improvements, and tab requests! Adam Morris (benmo@deakin.edu.au) WHERE BOYS FEAR TO TREAD Transcribed By - BUGG_SUPERSTAR@S-GRIFFIN.COM Tuned Down - Eb,Ab,Db,Gb,Bb,Eb * This is a pretty easy tune of the new album, throughout the whole song there are only two riffs. I will show the two, and you can figure out the rest for yourself. I have seen other attempts at this song, but I think this is the most accurate. Main Riff of the Whole Song Eb-\|--------------------------------------------------------------------\| Bb-\|--------------------------------------------------------------------\| Gb-\|--------------------------------------------------------------------\| Db-\|--------------------------------------------------------------------\| Ab-\|-3/5---------------3------------------------------------------------\| Eb-\|------4--4--0-0-0----1--3-3-3-3-3-3-3-3-----------------------------\| Second Riff, used in Chorus and at the end Eb-\|--------------------------------------------------------------------\| Bb-\|--------------------------------------------------------------------\| Gb-\|--------------------------------------------------------------------\| Db-\|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------\| Ab-\|-3-3-3-3---3-3-3--3-3-3-3-3-5-4-------------------------------------\| Eb-\|-1-1-0-1---1-0-1--1-1-1-1-1-3-2-------------------------------------\| Thats pretty much it, near the end it does the previous part, but without going up to the G5 and F#5 (I Think thats it). This is my first transcription, so please write me with and comments and suggestions at BUGG_SUPERSTAR@S-GRIFFIN.COM. Enjoy :) BODIES First off, use what Billy calls 'grunge tuning' (dropped D). Then take that Dropped D and tune it down a half step to a C#. In the last guitar world interview Billy said the whole album was tuned down a half step to get a deeper sound. After that, the song is quite easy. Major distortion "Love is suicide...." --------------------------------------------------------------------- --------------------------------------------------------------------- --------------------------------------------------------------------- --3333333333/777777777777\22222222222/333333333-- --3333333333/777777777777\22222222222/333333333-- --3333333333/777777777777\22222222222/333333333-- change #1 "...casualties of their own past...." --------------------------------------------------------------------- --------------------------------------------------------------------- --------------------------------------------------------------------- --2222222222/777777777777\55555555555\222222222-- --2222222222/777777777777\55555555555\222222222-- --2222222222/777777777777\55555555555\222222222-- change #2 "...nobody ..." --------------------------------------------------------------------- --------------------------------------------------------------------- --------------------------------------------------------------------- --5555555555/777777777777\222222222/55555555555-- --5555555555/777777777777\222222222/55555555555-- --5555555555/777777777777\222222222/55555555555-- I can't remember exactly where in the lyrics the changes are but once you listen to the song you'll know where they are & where changes #1 and #2 go. Be patient with my instructions, this is my first posting. Recommendation: use a light pick to get that continuous guitar attack. Cheers to everyone else who has posted tabs. Much appreciated. I'm waiting for help with the rest of the songs off this double album masterpiece. Especially 'To forgive' & 'Jellybelly'. THIRTY-THREE Tabbed by Peter Henderson(Saldek); Oshawa, Ontario, CANADA Special thanks to Rich Santos TUNING Half Step Down-Eb Ab Db Gb Bb Eb Ok well..here's the tab....i think this is how they play it.... There is another guitar part for this..it has some effect on it.. But as you will see..i didn't tab it....Sorry CHORDS: Eb Ab Db Gb Bb Eb C - x 3 2 0 1 0 Dm(no 3rd) - x 0 0 2 3 0
Band name	Smashing Pumpkins »
Song name	Melon Collie And The Infinite Sadness »
Tab type	Guitar tab »
Added	06/29/2008
Size	60.37 Kb
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